Introduction to Chinese Imperial Embroidery

Discover the intricate artistry of Beijing Embroidery, or Jingxiu (京绣), a traditional Chinese embroidery practice that emerged from the imperial court tradition of Beijing, China's capital for more than 600 years. Recognized as part of China's National Intangible Cultural Heritage, Jingxiu is renowned for its exceptional craftsmanship, refined aesthetics, and centuries-long role in producing textiles for the imperial household and court.

Developed within the imperial workshops of the Ming and Qing dynasties, Beijing Embroidery represents one of China's most sophisticated embroidery traditions. Its luxurious materials, symbolic motifs, and highly refined stitching techniques—including gold-thread couching and intricate knotted stitches—reflect the artistry and precision demanded by the imperial court.

Participants will be guided by artist Aodan through HMAA's collection to examine examples of authentic Beijing Embroidery, gaining insight into its history, symbolism, and exceptional craftsmanship. Following the gallery tour, participants will take part in a hands-on workshop to learn traditional stitching techniques and create their own Beijing Embroidery sampler to take home.

No previous embroidery experience is required. All materials will be provided.

About the Artist

Aodan is a Chicago-based artist working across embroidery, jewelry, glasswork, and wearable art. Her practice draws from traditional East Asian craft techniques and explores how forms of intangible cultural heritage thrive within the contemporary art world.

Aodan is interested in what allows a centuries-old technique to remain a living artistic language. Through preservation with deep respect for the extraordinary technical achievements of generations of artisans before her, she works with the belief that these traditions can continue to bloom as living forms of creation for experiments, reinterpretation, and ways of speaking to contemporary life.

Her work is also informed by the long and often overlooked histories of women as makers. With techniques and materials historically associated with women’s handwork and decorative arts, she explores how the inherited precious memory passed down with warmth from fingertips can become a vessel for contemporary expression, personal narrative, and new forms of meaning.