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Exhibit Introduction

Chinese Lotus Shoes

Exploring the Cultural Prestige of Chinese Lotus Shoes

April 30, 2025 - September 21, 2025

 

This exhibition presents an extraordinary range of lotus shoes from the Qing dynasty, highlighting the regional diversity and stylistic variations that existed across China. Alongside the footwear itself, visitors will encounter a rich selection of related materials—photographs, illustrations, sculptural works, shoe samples, paintings, and jewelry—that illuminate the cultural, social, and aesthetic dimensions of footbinding.

While showcasing the artistry and craftsmanship of lotus shoes, this exhibition also confronts the troubling history of footbinding and the societal shifts that accompanied China’s transition into the modern era. Through historical documentation and visual narratives, visitors will learn how shoes were made; how family dynamics shaped the practice; how working-class women experienced footbinding; and how Western missionaries influenced public discourse and led campaigns to abolish the custom.

The exhibition traces the many roles of women with bound feet—walking tightropes as performers, laboring in factories and fields, serving as wives, daughters, daughters in law. Ultimately, this exhibition extends far beyond the shoes themselves, capturing a vivid moment in history when tradition and societal transformation collided.

Foot binding

For more than a thousand years, successive generations of Chinese women endured the painful and exacting process of footbinding. Beginning in early childhood, girls' feet were tightly wrapped with cotton bandages—often by their mothers—to compress and halt natural growth. The resulting form, tiny and arched to a narrow point, was believed to resemble a closed lotus blossom. These “lotus feet” became a revered aesthetic ideal and a powerful symbol of femininity, delicacy, and desirability.

One of the most coveted outcomes of this practice was the “golden lotus”—an adult woman’s foot bound to just three inches or less. Considered the pinnacle of beauty, the golden lotus signified not only aesthetic perfection but also social prestige and refinement.

This exhibition is presented with artifacts from Chicago-based collector Paul Prentice and is curated by Jeffrey Moy.

Programs

  • Status Symbol or Foot Fetish? Female Footbinding in Imperial China
    Status Symbol or Foot Fetish? Female Footbinding in Imperial China
    Sun, May 25
    Chicago
    Explore the history and impact of footbinding in Imperial China through a lecture featuring Dr. Tee’s firsthand experience with Sun Choi Ngo Chu, who was bound at age seven and later came to the U.S. in 1976 for surgical reconstruction.
  • Collector's Lecture: Chinese Lotus Shoes
    Collector's Lecture: Chinese Lotus Shoes
    Sat, Jun 28
    Chicago
    The Collector’s Lecture will explore how footbinding was able to flourish in China for over 1000 years due to a complex interplay of factors, including beauty standards, social expectations, and economic considerations.
  • Special Tour with the Collector
    Special Tour with the Collector
    Multiple Dates
    Fri, Aug 15
    Chicago
    Join us for a free evening at the museum, including a guided tour of our collection and a special walkthrough of the Chinese Lotus Shoes exhibition led by collector Paul Prentice, featuring highlights from his personal collection.
HERITAGE MUSEUM OF ASIAN ART
 

3500 S Morgan St, 3F

Chicago, IL, 60609

info@heritageasianart.org

(312) 842-8884

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The Heritage Museum of Asian Art's Entrance is on West 35th Street. Take the elevator to the third floor and turn right to the Museum Reception Desk. Accessible and standard toilets are located on the same floor. Free parking space is available next to the museum via West 35th Street.​​

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Heritage Museum of Asian Art is a non-profit organization with IRS 501 (c) (3) tax exempt status. 

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