
Exhibition
Chinatown's Renaissance Man
The Life and Art of Andy Hoi-Csiu Chan
First Discoveries
August 21 - October 4, 2026
Chinatown's Renaissance Man: The Life and Art of Andy Hoi-Csiu Chan is not a retrospective in the conventional sense. It is an exhibition of discovery, an evolving presentation of an archive as it is being uncovered, organized, digitized, and understood.
Since 2025, the Heritage Museum of Asian Art (HMAA) has been working closely with Andy Chan’s family to preserve and study his extraordinary personal archive. Containing approximately 30,000 items, the archive includes photographs, documents, artworks, artist materials and tools, personal objects, and hundreds of hours of VHS recordings. The scale of the collection reflects the remarkable range of Andy’s life, but it also reveals something larger: a largely unknown history of Chinese American artistic and cultural life in Chicago.
Andy was much more than an individual artist. His Chinatown art studio was a center for art education but also a gathering place where artists met, exchanged ideas, made work, and built friendships. Over the decades, he welcomed and hosted hundreds of artists visiting Chicago from China and elsewhere, becoming an important bridge between artists, generations, and communities. Through these encounters, his studio became an informal cultural center and a witness to a period of Chicago's Chinese American art history that remains largely unknown to the general public.
The exhibition opening on August 21, 2026, represents only the first stage of discovery. Rather than presenting the archive as something already researched and completed, HMAA is bringing the archival process directly into the gallery. Throughout the exhibition, museum staff and project participants will conduct live archiving, allowing visitors to observe how photographs are identified, documents are examined, VHS recordings are digitized, objects are cataloged, and stories are connected.
As this archival work continues, the exhibition itself will remain in motion. A portion of the artworks on display will change approximately every week, bringing newly discovered or newly documented works into the gallery throughout the exhibition. Newly identified photographs, recordings, documents, objects, and stories may also be introduced as the research develops. Visitors who return from week to week may therefore encounter different artworks and discoveries. In this sense, the gallery becomes both an exhibition space and a working archive—a place where history is not simply presented, but actively reconstructed in public.
This project also asks a larger question: How much of our community history remains hidden in studios, homes, closets, boxes, photographs, and videotapes? Andy Chan’s archive reminds us that history is not preserved automatically. Without the efforts of families, artists, community members, and cultural institutions, important stories can easily disappear.
HMAA and Andy Chan’s family are committed to this as an ongoing, long-term project. Our goal is to digitize and organize the archive and ultimately make its materials accessible online to researchers, artists, community members, and the general public. By making these materials available, we hope to bring greater visibility to the people, relationships, artistic activities, and cultural exchanges that shaped Chicago’s Chinese American community.
Preserving this history is not only about preserving the story of one artist or one neighborhood. The Chinese American experience is part of the American experience. Recovering histories such as Andy Chan’s expands our understanding of American art and culture and recognizes the communities whose contributions have too often remained outside the established historical record.
The archive alone, however, cannot tell the entire story. Alongside the preservation project, HMAA is conducting an ongoing oral history initiative with artists, friends, family members, students, collaborators, and community members who have memories of Andy and the artistic and cultural life that surrounded him.
If you knew Andy Chan, visited his studio, worked with him, exhibited with him, attended an event, or simply have a story, photograph, document, or memory to share, we invite you to become part of this process. Please contact the Heritage Museum of Asian Art at info@heritageasianart.org.
Andy and The Tiger
More Stories from Andy Hoi-Csiu Chan’s Archive Coming Soon

Andy Hoi-Cisu Chan with Yo-Yo Ma, 1987
Selected Works
Events

Mid-Autumn Festival Gathering in Memory of Andy Hoi-Csiu ChanFri, Sep 25Heritage Museum of Asian Art
Intro to Chinese Fan Painting WorkshopSat, Sep 12Heritage Museum of Asian Art
Introduction to Chinese Imperial EmbroiderySat, Sep 05Heritage Museum of Asian Art






























